请高手帮忙翻译一下我论文的中文摘要，非常非常感谢。

Question

中文摘要

文学是用语言构筑的艺术世界，文学语言问题长期以来是一个备受文论家关注的问题，也是一个非常具有研究价值的课题。本文根据现代语言观，本着综合研究的方法，从体裁差别的角度去分析文学语言的不同，深入探讨诗歌语言和小说语言两者的差别，为我们进一步研究文学语言提供帮助。
绪论，回答了两个问题：为什么研究文学语言？为什么从体裁差别的角度去探讨文学语言的区别。借鉴文学中介论的观点，界定了诗歌语言和小说语言的范围。把诗歌语言和小说语言探讨的范围延伸，不局限于其文本结构，而是把文学语言的生成阶段、文学语言的读解阶段都纳入了研究的范围。
第一章 诗歌语言和小说语言在生成阶段的区别。体裁具有无形而巨大的规定性，一个作者选择了诗歌或小说，就意味着选择了一种完全不同的话语方式；同时，天才的作者必然会在特定的语境下，充分发挥自己的创造力，去努力冲破“体裁”的牢笼，使之不断发展、深化、蜕变出新的形式，创造出艺术的奇迹。
第二章 诗歌语言和小说语言文本的外部特征的区别。借鉴王弼的“言、象、意”观点，参照英加登的文本四层次理论，言、象、意构成了多层面有机构成的文学文本。分为外部特征的区别和内部特征的区别两个方面来探讨。这一章和第三章是本文着重探讨的地方。
本章分别从视觉上的不同，听觉上的不同，篇幅上的不同这三个方面去把握两种语言文本的“言”这一层面的区别。
第三章诗歌语言和小说语言文本的内部特征的区别。我们认为，叙事把小说从诗歌所属的“诗学”传统中独立出来，叙事和抒情是小说语言和诗歌语言的本质区别。从这一本质区别入手，我们从诗歌语言和小说语言形象状态的不同、文本结构的不同、语言意识的不同三个方面进行了探讨。
第四章 诗歌语言和小说语言在读解阶段的区别。解读文本必须要依照体裁规范。读者读解首先要有体裁意识，用读诗歌的方法读诗歌，用读小说的方式读小说。读诗歌要充分运用想象去把握意象，挥动想象的翅膀去体味诗歌营造的意境，诗歌需要神会。读小说要紧扣人物入手。读小说也需要想象，但读小说需要的“现实想象”和读诗歌的“非现实想象”具有明显的差别。
西方文论的发展大致经过了由作者－作品－读者的过程，目前文化研究兴起。我们就是在这一背景下，采用综合的研究方法，通过以上三方面的探讨，试图深入把握诗歌语言和小说语言的内在差别，透过文学语言的“原型”，对文学语言有更深入的认识。

Answer 1

Literature is the language used to build a world of the arts, literature and language problems have long been a literary family concerns, but also a great research value of the subject. Based on the concept of modern language, based on a comprehensive study of the method, the difference in style from the perspectives of the language of literature, poetry in-depth study of language and language novels of the differences between the two, as we further study the language of literature to help.

Introduction to answer two questions: Why study the language of literature? Why the difference from the genre to examine the difference between literary language. Literature from the perspective of an intermediary, as defined in the language of poetry and stories Language. The language of poetry and fiction to explore the scope of the extension of the language, not limited to the structure of the text, but the production phase of the literary language, literature and language of the time are included in the solution phase of the study.

Chapter language poetry and fiction in the formation stage of the language difference. The genre has a huge invisible provisions, the author has chosen a novel or poetry, it means that the choice of an entirely different way of words; At the same time, the author of a genius is bound to a specific context, and give full play to their creativity To strive to break through the "genre" of the cage so that they continue to develop and intensify, transform into new forms of art to create a miracle.

Chapter language poetry and fiction version of the external characteristics of the language difference. Learn from Wang Bi's "words, such as Italy," point of view, in the light garden of the British version of the four-level theory, words such as Italy and constitutes a multi-dimensional organic composition of literary texts. Into the difference between external and internal characteristics of the features of the difference between the two aspects to explore. Chapter III of this chapter and is focused on this article.

This chapter from the visual, auditory differences, the length of the three different aspects of the text in two languages to grasp the "statement" this level of distinction.

Chapter III of the language of poetry and stories Language text of the internal characteristics of the difference. In our view, the narrative fiction from the poetry of their "poetic" tradition of independence, and the narrative is lyrical language fiction and poetry of the essential differences between languages. The essential difference from the start, language and poetry from the novel image of the state of different languages, the different structure of the text, language awareness of the different aspects of the three discussed.

Chapter IV of the language of poetry and stories Language Reading in the phase of the difference. Text must be interpreted in accordance with the norms of genre. Reading the reader must first have awareness of the genre, using the methods of reading poetry reading poetry, fiction reading by way of reading novels. Reading poetry to make full use of imagination to grasp the image, waved to imagine the wings to appreciate the mood to create poetry, poetry would need God. Reading the novel to start with figures closely. Reading the novel also need to imagine, but need to read the novel "imagined reality" and the poetry reading of "non-realistic to imagine" a clear difference.

The development of the Western Literary Theory has been more or less from the author - work - readers in the process, the current rise of cultural studies. We are against this background that an integrated approach, the above three areas to explore, in-depth attempt to grasp the language of poetry and fiction inherent differences in language and literature through the language of the "prototype" of the literary language have a better understanding .

Answer 2

忠告:这么长的文章已非虚拟货币能支付

Answer 3

文学是用语言构筑的艺术世界，文学语言问题长期以来是一个备受文论家关注的问题，也是一个非常具有研究价值的课题。本文根据现代语言观，本着综合研究的方法，从体裁差别的角度去分析文学语言的不同，深入探讨诗歌语言和小说语言两者的差别，为我们进一步研究文学语言提供帮助。

Literature is a world of art constructed by language. Literary language has been greatly concerned by literary reviewers as a very study-worthy subject for a long time. This paper makes a thorough discussion on the differences between poetic language and novel language in a comprehensive way of study, cotributing to the further study of literary language.

Answer 4

文学是用语言构筑的艺术世界，文学语言问题长期以来是一个备受文论家关注的问题，也是一个非常具有研究价值的课题。本文根据现代语言观，本着综合研究的方法，从体裁差别的角度去分析文学语言的不同，深入探讨诗歌语言和小说语言两者的差别，为我们进一步研究文学语言提供帮助。