第1个回答 2015-01-30
Duras in \"lover\", wrote: \"at that time, you still very young, everyone says you are beautiful, now, I am specially to tell you, for me, I think now you is better than when you were young, then you are a young woman, compared with when you face, I love you more tortured face now.\"
Later, guang liang told us that fairy tales are deceptive. Man is the longest creatures. Twenty men like twenty years old girl, the age of 30 men like twenty years old girl, forty men like twenty years old girl, 50, 60, seventy - year - old man was like 20 years old girl.
Look, who said let's men flower heart? We never love only young woman, don't love tortured face.
Like the film a beginning everybody misses the old defect, the little girl who dare to say no? You see the old woman kuei ya-lei appeared that smelly virtue, love comparisons, mouth smelly, do nag, picky eating... Living creatures. Can these qualities are packed in popular language, it is not spoiled, poison tongue, version? Of points have full? Secondary yuan have beautiful girl? But who really have to see the old man so? No!!!! Only when the old woman become a little girl Yang Zishan later, everyone's eyes will as the style to a 180 - degree shift. Little fresh meat, high-handed, grandpa scrambling to love her, is all love to death to live, yo ho, may not be able to, the old house is on fire, not saved - bacon had seriously said to the young, the world is yours, also is our, but in the end is you - and of course, because we are more good-looking.
It also verifies the first said, a man never love only twenty years old girl.
The old woman ah lei gua is too poor. At best the most beautiful age, she didn't catch a deep-rooted love, didn't also can realize my dream of when a singer, she get married early, became a widow, very not easy to put the child up, oneself also get too old, who abandon, was sent to the nursing home soon - miserably miserably, but if at this time to recognize a life, may the rest of the one hundred and twenty is anchored to the past; But she just met god arise, to return to his own golden age, became a singer, a of the person you like, to see the original dream one by one in order to achieve, and then the fate of the resistance, soon followed. This resistance is not from others, just from her closest confidants dear grandson. Her grandson has blended in her whole life, if that were so abruptly, that would be cutting scrapes bone pain.
She is old, all can not stand that bone.
So, I don't think the film is the family film, even if it is funny enough, also the foot is moved down the tears, but I still can't take my mother to see, I am afraid that after she saw the glass broken. Originally she recently reached menopause, the mood is not very stable, because home is not for something out of it. Well, in fact, the film location should be, like the autumn wind swept the leaves ruthlessly revealing the dark side of the society of realism drama. Maybe is getting on in years, and now always involuntarily easily come into my autumn; the spring This firmly written in the movie, want to realize the ideal, there is a very hard, even if can complain social hatred age at the beginning, so good, let your life again, also will always appear some allow you to have to give up.
Movie after you come back, my roommates and I discussed the streets of Beijing common kind of husband and wife, we call it \"ski-wear, couples\". They have diplomas, willing to endure hardship, ability is weak, not by instinct ability of a person room genteelly life in Beijing, senior apartments, two or three back to a year to go abroad, to live with ease, but for the children, in order to let the children become people master cheng yen, keeps saving money saving money to save money, just for that set of quick 89 million school district room, to go to Britain and the United States to study abroad in the future the high cost of - they can only wear the cheap and durable ski-wear, dark gray, wear to change for years - ah, how great ah, this is the family. If god gave them the opportunity to live once again, they would resolutely choose so, right?
Stay out of the grandma arm is blood? Yes, after the blood drained the mother's son, even didn't let her grandson. Her two times youth, must be turned to blood to irrigate her sons... Such a price, just because she became \"mother\".
\"Mother\" is saddled with large cross chains, called \"dedication\" stumbling on the road of life; Son also saddled with chains, called \"owe\", seems to be that two people can appear even, peaceful, altogether casts harmony - if this is the good life, I only hope that had never lived - mom, if your life is also the chance again, I hope you are the big eye, pick a satisfactory husband, been to wonderful life, don't appreciate the man give you me, I will not feel the slightest regret.
You are still young? Also don't know much about what I said?
It doesn't matter, in a few years, you are old.
You will find that this world never respect for the old man. Even now you, after watching that movie, germination some reward, but just a little after all, what's more, what you don't repay.
So, even if the director to shoot a film again good again, in my opinion, is also cruel. Even, he's so good, the cruel and more profound.
杜拉斯在《情人》里如是写：“那时候，你还很年轻，人人都说你美，现在，我是特为来告诉你，对我来说，我觉得现在你比年轻的时候更美，那时你是年轻女人，与你那时的面貌相比，我更爱你现在备受摧残的面容。”
后来光良告诉我们，童话里都是骗人的。男人是最长情的生物。二十岁的男人喜欢二十岁的姑娘，三十岁的男人喜欢二十岁的姑娘，四十岁的男人喜欢二十岁的姑娘，五十岁、六十岁、七十岁的男人，还是喜欢二十岁的姑娘。
看，谁说咱们男人花心？我们从来只爱年轻女人，不爱备受摧残的面容。
就像影片一开头大家口诛笔伐的那些老人缺陷啦，谁敢说小姑娘身上就没有呢？你看老太婆归亚蕾出场时那臭德行，爱攀比、嘴巴臭、做事唠叨、吃东西挑剔……活生生一老不死的。可这些品性用流行语言包装一下的话，那不就是傲娇、毒舌、吃货吗？萌点满满有没有？二次元美少女有没有？但真有谁是这样去看待老人的吗？没有吧！只有当老太婆变身成小姑娘杨子姗以后，大家的眼光才会随着画风来个180度大转变。小鲜肉、霸道总裁、老爷爷争先恐后地爱她，还全都爱得要死要活，哟嚯，不得了了，整一老房子着火，没救了——腊肉曾经语重心长地对年轻人说过，世界是你们的，也是我们的，但是归根结底是你们的——当然啦，因为我们比较好看呀。
这也验证了文首所说，男人从来只爱二十岁小姑娘。
老太婆归亚蕾实在是太可怜了。她在最好最美的年纪，没能赶上一场刻骨铭心的恋爱，也没能实现当歌手的梦想，她早早嫁人，却成了寡妇，好不容易把孩子拉扯大，自己也熬得人老珠黄，遭人嫌弃，马上就要被送进养老院了——惨是惨了点，但要是在这时候认了命，可能剩下的一二十年也就安安稳稳过去了；但她偏偏碰到了上帝显灵，一下子重回自己的黄金年代，成了歌手，有了喜欢的人，眼看当初的梦想一个一个都要实现了，然后命运的阻力，也随之而来了。这个阻力不是来自别人，恰恰来自她最亲密亲信亲爱的孙子。她的孙子早已融入了她的整个生命，若是这样硬生生的剥离，那将是割肉刮骨的痛。
她老了，终究经不起那样的伤筋动骨。
所以，我不认为该片是亲情电影，纵然它足够搞笑，也足令人流下感动的泪水，可我还是不敢带我妈来看，我怕她看过以后玻璃心碎一地。本来最近她就到了更年期，情绪不太稳定，难保回家不折腾点事儿出来。嗯，其实此片定位应该是，如秋风扫落叶般冷酷无情地揭露社会阴暗面的现实主义剧情片。也许是上了年纪吧，现在总容易不由自主地伤春悲秋；这电影里结结实实地写着，想要实现理想，活得精彩是有多难，哪怕一开始可以怨社会怨时代，那么好，让你的人生再来一次，还总是会出现些让你不得不放弃的阻碍。
观影回来后，我和室友讨论起北京大街小巷上常见的一种夫妻，我们称之“冲锋衣夫妇”。他们有文凭，肯吃苦，能力不弱，本能凭本事在北京过上人模人样的生活，住高级公寓，一年出国两三回，活得轻轻松松，但为了孩子——为了让孩子成为人上人，不停地攒钱攒钱再攒钱，只为了那套动辄八九百万的学区房，为了日后赴英美留学的高昂费用——他们只能穿最便宜耐用的黑灰色冲锋衣，一穿好几年也舍不得更换——啊，多么伟大呀，这是亲情。就算上帝给他们再活一次的机会，他们也会义无反顾地选择如此，对吧？
从奶奶胳膊里留出来的是血吗？是呀，儿子榨干了母亲的血以后，连孙子也没放过她。她整整两次青春，都必须化成鲜血来浇灌她的子孙……这样的代价，只是因为她成为了“母亲”。
“母亲”就这样背负着巨大的名为“奉献”的十字枷锁，在人生的道路上步履蹒跚；儿子也同样背负着枷锁，名曰“亏欠”，似乎这样两人便能算做扯平，从此相安无事，共铸美好和谐——如果这便是生活，我只希望从未活过——妈，如果你的人生也有重来一次的机会，我希望你睁大了眼，挑一个满意的夫婿，去过精彩的人生，不要感激那男人赐你了我，我也不会觉得丝毫遗憾。
你还年轻吧？还不太懂我究竟说了些什么吧？
没关系，过几年，你也就老了。
你也就会发现，这个世界从不尊敬老人。哪怕现在的你，在看完这样一部电影后，萌发了些许报答之心，但终究只是些许，更何况，你根本报答不了什么。
所以，即使导演把这部片子拍的再好再动人，在我看来，也终究是残酷的。甚至，他拍的这么好，这份残酷，就更加刻骨了。